If you are looking for low priced Phantom of the Opera tickets, then you’re going to love what we have to offer. We give you access to the best seats for all venues that host the Phantom of the Opera for a lot less than any other ticket outlet prices. In fact, we’ve become one of the top sources of Phantom tickets because of our great deals and seating, but these tickets usually go faster than we can sell them. Phantom tickets are always in high demand because the Phantom of the Opera has become the most popular theatre show of all; but you already knew that.
As one of the most famous musicals of all time, this long-running musical has made Broadway history. Who would expect any less from the legendary Andrew Lloyd Webber, who also brought us shows like Cats and Jesus Christ Superstar? Drawing his material from the French novel by Gaston Leroux, Webber, with lyricists Charles Hart and Richard Stilgoe, this show quickly gained critical acclaimed and enthusiastic audiences. With its beautiful and artful music, elegant scenery powerfully emotional characters, and complex dance routines, the Phantom of the Opera has quickly became a sophisticated musical. Its timeless themes make watching this show an immensely invigorating experience that audiences have been enjoying for a quarter of a century. Whether you can’t wait to see it again or it’s your first time, get your Phantom of the Opera tickets today and be a part of this cultural landmark.
The Plot: The year is 1881. The crew of the Opera in Paris is in rehearsal for that evening’s performance when a backdrop suddenly crashes down onto the stage. The cast is abuzz, citing the fabled Phantom of the Opera, or Opera Ghost, as the cause. The new managers, Andre and Firmin, try to minimize the incident, but the diva Carlotta storms off, refusing to perform under such conditions. Left in the lurch without a star, the managers agree to let a chorus girl, Christine, audition for the part. When she amazes everyone with her talent and lands the role, they are left wondering who taught her so well. Later, Christine confesses to her friend, Meg, that she has had a mysterious singing tutor, the “Angel of Music” that her father told her he would send for her after his death. Meanwhile, the Opera’s new patron, Raoul, meets Christine, who he remembers being close with as a child. As Raoul leaves, a voice calls to Christine, proclaiming its displeasure at Raoul’s presence. Just then, the image of the Phantom of the Opera appears in Christine’s dressing room mirror and leads her to his lair in the catacombs beneath the Opera House. The Phantom has secretly been training Christine to sing while falling in love with her, but when she boldly removes his mask and reveals his disfigured face, he expresses his anguish at being deformed and his wish to be loved by her before returning her to the surface. As Christine enjoys her newfound success and a budding romance with Raoul, the Phantom becomes more and more distraught and the Opera House feels the consequences. Can Christine ever escape the Phantom’s mysterious hold on her? Will the Opera ever be free of the Phantom’s reign of terror? Get your Phantom of the Opera tickets to find out.
We’ve got Phantom of the Opera tickets available for all the shows this upcoming season. We make a point of securing tickets for the most in-demand showings so that you can have a shot at watching it live. As real Phantom of the Opera fans ourselves, we know the value of watching a live a theatre classic, and we’re more than happy to share that opportunity with you. So if you’re looking for Phantom tickets with the lowest prices and the best seats in the house, then we’ve got exactly what you’re looking for. Feel free to check back for any updates or contact us for inquiries. Just remember, Phantom tickets sell faster than hot cakes and you’ll need to be quick on your feet to take advantage of this great deal.
Excited and very much in love with the stellar performers of the New York Phantom of the Opera theater show? You should be because they didn’t get there by being dull and lackluster. To put it quite simply, each and every actor and actresses down to the tiniest bit parts are carefully selected and cast for their sheer amazing talent. So to put a stop to this perfunctory intro part, let’s get right down to business and discover the real names and see a bit of the backgrounds of the much-praised cast and crew of Broadway’s Phantom of the Opera production.
===The Phantom: Hugh Panaro.===
Born in Pennsylvania, USA, and blessed with natural good looks, it didn’t take long for Hugh Panaro to gain legions of fans and followers, mostly female, who call themselves “Panarophiles.” Hugh’s original Broadway debut after a string of successful and notable supporting and lead theater parts in productions such as Chicago and Jesus Christ Superstar was as Marius in Les Misérables. To date, this is the third time that Hugh will play the part as the Phantom, most recently, to replace actor John Cudia.
===Christine Daae: Sara Jean Ford.===
Broadway fans couldn’t seem to get enough of Sara, who currently top bills Broadway’s Phantom of the Opera production along with Hugh Panaro. And who could blame the fans? Seemingly just another attractive girl-next-door, Sara with her diminutive form belies a powerhouse of acting and voice talent that is squished magically inside her lithe frame. Sara debuted on New York as part of the cast of The Fantasticks and has since then, never looked back. She was awarded the lead female role as Christine after a national tour gig originally as the Mirror Bride. She has also graced in the past other theater productions such as A Little Night Music and Finian’s Rainbow.
===Raoul: Kyle Barisich.====
Named as Mr. USC at his college Alma mater, which is the University of Southern California, Kyle went on to follow his dreams in theater and has previously appeared in the long-running national leg tour of the Phantom of the Opera show. Kyle went on to succeed Sean MacLaughlin, who has played the Broadway part as the romantic Raoul. Kyle is also a noted food and pop culture contributor to Fox News, aside from his other gig as a frequent performer for the live audience of “LIVE! with Regis and Kelly.”
===Carlotta: Michele McConnell.===
Not much is known so far about Michele McConnell, who plays the role of Carlotta exceedingly well, which is a shame. But what we do know is she originally played the bit part in Broadway’s Phantom of the Opera as a wardrobe maiden and confidante.
===Madame Giry: Marilyn Caskey===
Marilyn Caskey is a veteran theater actress that has achieved recognition and prominence by playing the necessary matue roles in Broadway productions with much aplomb and mastery. Marilyn also aptly plays the role as Madame Morrible in the untold story of Witches of Oz in their second National Tour. She has also appeared as Electra in Gypsy which had its run on New York.
===Monsieur Andre: Aaron Galligan-Stierle.===
Aaron Galligan-Stierle had his Broadway debut in the theater production of Dr. Seuss’ How the Grinch Stole Christmas. He has also played a role in Ragtime. His prior theater experiences include Camelot, Cinderella and My Fair Lady.
Other notable characters played by equally talented actors and actress that appeared in New York’s Phantom of the Opera are:
Meg (Jessica Bishop), Monsieur Firmin (Kevin Ligon), Piangi (Christian Sebek), and alternate performances of Christine by Marni Raab.
The New York production of Phantom of the Opera is produced by Sir Andrew Lloyd Webber, and currently directed by Hal Prince.
The Phantom of the Opera is the longest running show in Broadway’s history and there is good reason behind this. Not only is the basic plot of love and tragedy classic and timeless it’s brought to bold life through the acting, costumes and flamboyant Gothic set design combines for an unforgettable experience that has thrilled thousands for over twenty years.
Maybe for some, this Broadway show might seem a bit quaint or dated, but the overall production has truly aged with grace. The emotional punch and the talent onstage continues to make it the blockbuster that it is and it still is able to beat all the young up and comers at the box office with ticket sales.
For those who love opera and those who don’t, the Phantom of the Opera will not disappoint. The operatic form of this production is such that it draws you in and keeps you captivated with it’s absorption of Puccini within it’s compositions that don’t leave you feeling as if the music is a conscious imitation of Puccini’s music. It is all done in such a natural manner and the performers are able to convey the operatic form with ease making it enjoyable even for those who simply would not be seen at a full on opera.
Opera aside, there are also the sets that are lavish as well as tasteful, except of course when there is an intention for parody. The stage effects still please all audiences with the grand falling chandelier, the gigantic staircase full of characters in fancy dress for the beautiful grand ball, the heroine’s double (which is a life size doll in reality) that goes crashing through the mirror she is looking into and of course the grand vanishing act of the Phantom himself.
It’s the cunning direction and the wonderful and apt choreography onstage of the Phantom of the Opera, that gives the production a wonderful visual opulence that takes a hold of all of the audience and sustains that hold on them throughout the entire performance. The direction of the performers continues through the years to be superb despite the fact that there have been numerous casting changes over the past two decades. Always a success at fine casting, the lead roles always seem to sing and act compellingly. That is what we call Phantom Of The Opera
The Phantom of the Opera is the recipient of many awards and deservedly so. In 1986 it received Musical of the Year from the Olivier Awards and the Evening Standard Theater Awards. In 1988 it received Tony Awards for Best Musical, Leading Actor in a Musical, Featured Actress in a Musical, Director for a Musical, Set Designer, Costume Designer and Lighting Designer.
From 1988 through 2002 it accumulated awards from New York with Outer Critics Circle Awards and Drama Desk Awards. From Los Angeles it received several different awards from the Drama Critic Awards. The production has also received awards from Toronto, Stockholm, Sweden and Australia. In 2002 it was awarded the London Oliver Award for the Audience Award for Most Popular Show.
